Skip to content
Piotr SikoraClown. Performer. Teacher.
Two participants laughing together in red clown noses during a workshop

Clown workshops with Piotr Sikora

Come and be
stupid
with me.

A 2–5 day clown workshop exploring play, sensitivity and connection with the audience.

Find your way in

Workshops

I’ve been teaching for 14 years, sharing with people what helped me get through my creative blocks. For the last eight years, I’ve focused mainly on clowning because it sets me on fire. It makes me feel alive. It makes me do stupid but courageous things, like leaving my safe career in Poland and moving to London. It makes me walk the path of the fool, the most beautiful path I could ever imagine. It’s an art form that never ends. It’s so much about the moment, and it truly doesn’t matter whether you’re just starting or you’re a super pro. It makes you fall in love with constant failure that leads to success, and constant success that leads you back to failure. All of this shapes the way I see clowning and the way I teach it. And that’s what I try to share with my students.

For me, more time doesn’t mean a higher level. It just means we get to go deeper.

01A first taste

Clown Games

2 hours

Joyful, improvised games. A little less thinking. A lot more playing.

For whom
Beginners, curious people, anyone ready to play.
Experience
No experience needed.
02Meet your clown

Intro to Clown

4 hours

Being seen, meeting an audience and finding the pleasure of failure.

For whom
Beginners who want a little more time in the room.
Experience
No experience needed.
03Stay with the discovery

Being Bad

2–5 days, where offered

The core clown intensive. Time to explore sensitivity, failure and your relationship with an audience.

For whom
People ready to spend more time exploring clown and connection.
Experience
Length is not a level. Ask Piotr about the format that fits you.
04Make your own work

Performance Class

5 days

For people with a solid grounding in clown who want to develop their own material. Small group, individual direction, entry by application.

For whom
People with a solid grounding in clown who want to develop their own material.
Experience
Solid grounding in clown. Entry by application.
05Test · in development

Audience Interaction

3 hours · test workshop

Audience games, consent, boundaries and the trust that makes play possible.

For whom
People interested in playful, thoughtful audience participation.
Experience
A test format. Discuss suitability with Piotr; no booking announced.

Upcoming workshops

View all workshops

Amsterdam · 14 Nov 2026 · 11:00–14:00 local time

Being Bad: The Power of Failure

Sold out — organiser listing

Amsterdam · 19 Nov 2026 – 22 Nov 2026 · 10:00–17:00 local time · each day

Being Bad · 4-day intensive

Dates in diary · booking details coming soon

Taipei · 29 Nov 2026 – 30 Nov 2026 · 19:00–22:00 local time · each day

Clowning workshop

Dates in diary · booking details coming soon

How I teach

Catching the clown

The more you try to find your clown, the faster it runs away. Maybe you’re not playing enough games. Clowns love games. So we’ll play. And perhaps, if we’re having enough fun, your clown will come for a visit. That, for me, is the best way to catch a clown.

This work isn’t only for clowns. It’s practical for any performer who wants to become more aware of their vulnerability, stay connected through eye contact, build sensitivity to their stage partners and audience, and learn how to really play with the people in front of them. We’ll explore how letting go of control can make you more present, more responsive and, very often, much more interesting to watch.

Two participants in red noses sitting side by side, laughing
From the workshop roomPhoto: Jansusz Szymański
A participant with a bunch of leaves on her head plays in front of a seated group watching her
From the workshop roomPhoto: Bartosz Głowacki, @Globartis
Piotr Sikora standing before a seated workshop group in a dark studio

In the room.

“We learned how to connect with our audience and where to find the pleasure in situations.”
Aisha Ali · The Wardrobe Theatre
“He is gentle, present, rigorous and clear.”
Hannah Mitchell · New York
“This is truthfully the most open and free I’ve felt in a workshop.”
Angelita · New York
“His ability to work with all different levels in the same class was incredibly impressive.”
Dave Ahood · New York
Five participants in red noses walk forward together in a line on a dark stage
Photo: Paulina Wyszyńska Górecka
A participant with a string beard and flower crouches low, holding eye contact with the room
Photo: Bartosz Głowacki, @Globartis
Seated workshop participants laughing as they watch someone play
Photo: Jansusz Szymański

Not sure? Ask the advisor

Tell me about you.

What’s your experience, and what are you curious about?

AI advisor · a suggestion, not a booking or availability check.

Before you come